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Source Audio EQ2 Programmable EQ

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Source Audio EQ2 Programmable EQ

The EQ2 Programmable Equalizer is the most powerful and advanced equalizer pedal on the planet. This exceptional piece of gear builds off the legacy of its predecessor, the Source Audio Programmable EQ, a tremendously popular pedal that landed on the boards of numerous pro guitarists, including six-string icons David Gilmour and John Mayer. The updated EQ2 is a combination graphic and parametric equalizer with 10 fully adjustable frequency bands, stereo ins & outs, MIDI In and Thru jacks, 4 or 8 onboard presets, 128 MIDI accessible presets, an additional 12dB volume boost, and the ability to simultaneously run two separate and unique EQ settings, each of which can be independently routed to either stereo output. But wait, there's more: the EQ2 is also has a hidden TUNER function! How's that for saving space on your pedalboard?

The EQ2 Programmable Equalizer is the perfect companion for any musician looking to enhance or add flexibility to their tone.  The availability of the full audible frequency spectrum across 10 completely customizable bands means that EQ2 is the EQ pedal not just for guitar, but for any electrifiable instrument.  This allows you to move each of the 10 bands to any point on the frequency spectrum from 20 to 20,000Hz.  With +/- 18 dB of boost or cut on tap for each band, bandwidth adjustments up to 10 times more narrow, flexible routing and separate stereo curves, an optional noise gate and limiter, and a deep interactive editing software, plus some shelving and high-pass frequency options, EQ2 is the ultimate Swiss-army knife for your tone. 

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S
08/19/2024
Sean
Australia Australia

What more could you want?

10 parametric EQs, all with Q editing Two inputs Two outputs MIDI in MIDI thru Mobile and desktop app integration with two-way communication (yay! Beware of the C4, but the EQ2 does it) Limiter Noise Gate Gain Tuner 4 presets available at push button 4 more with Alt mode 120 more if you have a MIDI controller Insanely powerful. I’ve used mine to re-create my old Trace Elliot GP-12 EQ (well, I dropped the last two sliders but I never really used those on the GP-12), especially to remove some of the 30Hz stuff that overworks your amp/speaker without providing much sonic benefit. I’m also using it to be able to have consistent volume across all my basses, no matter what pickups, no matter active/passive, no matter whether slapping, picking, finger style. It’s a front-of-house engineer’s dream. Can’t recommend highly enough. I have one minor criticism, the adjustment knob feels a little cheap, but it’s not enough of a concern to drop even half a star. Get yourself one. You’ll love it.